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How do I write?

The main lines of Black Voltage did not emerge while I was drafting. I worked out the canon of all three novels several years ago.

Laptop with a manuscript on the bridge of a coastal cargo ship
The story is on course; research and development give every scene its shape.

The course is set

I know where the trilogy is heading, which events will define it and how its storylines connect. That established canon is my chart. It safeguards the continuity between the three books and ensures that choices made in the first instalment still make sense later on.

Research and writing

That does not mean the books have already been written. This is where the precise work begins: researching, checking details and developing the world scene by scene. Maritime operations, locations, technology and human responses all need to feel credible. Sometimes the research confirms what I thought; sometimes it forces me to rebuild a passage.

Then comes the actual writing. The broad outline gains rhythm, atmosphere and a voice. Characters claim their space, dialogue changes a scene and a small detail can suddenly become important. The destination is fixed, but there is still plenty to discover along the way.

For me, writing combines holding a course with leaving room to manoeuvre: staying true to the canon while allowing the story to come alive.

A rewarding process

That is exactly what makes writing so compelling. An idea that began years ago becomes more concrete through research and grows, during the writing, into a world in which everything is connected. It takes time and attention, but it remains a rewarding process.

More behind the scenes

Explore the logbook for more about the seamanship, characters and world behind Black Voltage.

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